A short documentary on Linda Blair's controversial role in The Exorcist and the problems she encountered when the public seemed unable to separate fact from fiction. Originally aired 19 October, 1996, as part of Channel 4's Fame Factor series.

A companion film to Quadeca’s third studio album ‘I Didn't Mean to Haunt You’.

Animated short documentary film made to advance the cause of a balanced diet for the benefit of the public health and for the advancement of the American war effort.

As Emilia and Maxine spy on their best friend's first date, they come to realize the chemistry might not be between the couple they anticipated.

Jonas turns thirty and brings his closest friends to a remote cabin in the woods. Martin and Heather, who have always been the group's mum and dad, arrive hiding a secret. They've just broken up. Small tensions grow and one confession triggers another until everyone is forced to be honest in a way they've been avoiding for years. Harsh truths slip out, loyalties blur and everyone begins questioning whether their friendships have survived adulthood. When the night reaches its peak, the group is forced to face the painful possibility that growing up may mean growing apart.

Breast cancer. A sloppy operation. A woman murdered in a brothel room.

The usual atmosphere of a standard literary evening turns into a harsh drama of the conscience of the protagonist who took part in the betrayal and liquidation of his father in the World War II, which ended not so long ago.

The life and times of the Brandon family which is often hilarious. Mr. Brandon (John Comer), Mrs. Brandon (Liz Smith) and Uncle Mort (Robin Bailey) accompanied by Carter Brandon (Stephen Rea) and his fiancé Pat (Anita Carey) live in South Yorkshire. The series starts with Uncle Mort becoming a widower and moving in with the Brandon family. The humour is very Northern but some of the situations that arise from this family are very funny. Their world seems to revolve around Unsworth's Pork Pies. Enough said.

You Didn’t Know About Me proposes a filmic narrative to 7 characters, all with serious mental commitments. The themes presented are free: childhood, nostalgia and loneliness. The scripts elaborated are based on memories and experiences lived by the characters. The condition of invisibility, prejudice and stigmatisation is flagrant in the documentary’s narratives. The way the documentary is made exposes its making: the team and the director are unfolding as characters. At this stage, it is evident how the authors fictionalise personal stories from their past. The inter-dimensional perception of the narratives configures polyphonic plots, with forces in constant tension: directed with the most intimate for each character, and advancing to contemporary political and social issues. The plot surprises by this alternation of narrative focus, it manages to converge on themes that permeate everyone, and are common to all humanity, because of their poetic and existentialist character.